Monday, 29 September 2014

Toy Story 3 - Trailer Analysis 5 // Research


Background Information: 


Toy Story 3 (2010)
Genre: animation, adventure, comedy
Director: Lee Unkrich
Cast: Tom Hanks, Tim Allen, Joan Cusack, Ned Beatty & more. 
Studio: Walt Disney Pictures, Pixar Animation Studios
Distributor: Walt Disney Studios Motion Pictures
Success?
 - Box Office: $1.063 billion
 - Awards: 

  • Best Animated Feature Film of the Year - Lee Unkrich (won, Oscar)
  • Best Animated Film (won, Golden Globe)
  • Top Box Office Films - Randy Newman (won, ASCAP Award)
             ...and many more.



Trailer Analysis: 

Sunday, 28 September 2014

10 Things I Hate About You - Trailer Analysis 4 // Research


Background Information: 


10 Things I Hate About You (1999)
Genre: comedy, drama, romance, comedy
Director: Gil Junger
Cast: Heath Ledger, Julia Stiles, Joseph Gordon-Levitt & more. 
Studio: Touchstone Pictures
Distributor: Buena Vista Pictures
Success?
 - Box Office: $53,478,166
 - Awards: 

  • Most Promising Actress - Julia Stiles (won, CFCA Award)
  • Film - Choice Comedy (nominated, Teen Choice Award)
  • Best Musical Performance - Heath Ledger (nominated, MTV Movie Award)
             ...and many more.



Trailer Analysis: 


Saturday, 27 September 2014

Napoleon Dynamite - Trailer Analysis 3 // Research


                                       

Background Information: 


Napoleon Dynamite (2004)
Genre: comedy
Director: Jared Hess
Cast: Jon Heder, Efren Ramirez, Jon Gries & more. 
Studio: MTV Films, Napoleon Pictures
Distributor: Fox Searchlight Pictures (US) Paramount Pictures (other territories)
Success?
 - Box Office: $46,118,097
 - Awards: 

  • Best Popular Movie - (nominated, Critics Choice Award)
  • Best Comedy - (won, Golden Trailer)
  • Best Movie - (won, MTV Movie Award)
             ...and many more.


Trailer Analysis: 



Technical Timescale Analysis: 


Thursday, 25 September 2014

Silver Linings Playbook - Trailer Analysis 2 // Research


Background Information: 


Silver Linings Playbook (2012)
Genre: comedy, drama, romance
Director: David O. Russell
Cast: Bradley Cooper, Jennifer Lawrence, Robert De Niro & more.
Studio: The Weinstein Company, Mirage Enterprises
Distributor: The Weinstein Company
Success?
 - Box Office: $236,412,453
 - Awards: 

  • Best Performance by an Actress in a Leading Role - Jennifer Lawrence (won, Oscar) 
  • Best Adapted Screenplay - David O. Russell (won, BAFTA Film Award)
  • Film Music - Danny Elfman (won, BMI Film Music Award)
             ...and many more.


Trailer Analysis: 

 

Tuesday, 23 September 2014

Magic In The Moonlight - Trailer Analysis 1 // Research



Background Information:

Magic In The Moonlight (2014)
Genre: romantic comedy
Director: Woody Allen
Cast: Colin Firth, Jackie Weaver, Emma Stone & more. 
Studio: Perdido Productions
Distributor: Sony Pictures Classics
Success?
 - Box Office: $18,009,000 (worldwide)
 - Awards: None (yet) as was only released recently (and so the award season had already passed).

Trailer Analysis: 

Saturday, 20 September 2014

Let The Research Begin!

Over the next few posts I will be researching into various trailers that I like for many reasons. I will look at the titles, key moments/narrative points, types of editing, sound elements, representation, conventions and other relevant aspects.

The trailers I have decided to research are as follows;

  • Magic In The Moonlight
  • Silver Linings: Playbook
  • Napolean Dynamite
  • 10 Things I Hate About You
  • Toy Story 3

Friday, 19 September 2014

Audience Theory : IN-DEPTH INFORMATION/RESEARCH



My target audience is teenagers and young adults.

But, what kind of audience am I aiming at?

I am aiming at an audience who have active minds (therefore against the hypodermic needle model) and who would watch my trailer for their own pleasure and gratification. Some of my audience may easily relate to uses and gratifications if they feel either 'diversion', 'personal relationships' or 'personal identity' within my trailer. In terms of the reception theory I am aiming for my audience to be dominant or preferred as I want them to 'decode' my characters in the way that I feel they should be (in terms of their preferred reading).

Overall, I am aiming at an audience with an active mind who perceive my characters according to their preferred reading and who connect with the text in whatever way they wish to.

Narrative Theory : MORE IN-DEPTH INFORMATION/RESEARCH

I have mentioned narrative in my earlier posts but this is one post which I have solely dedicated to researching, describing and explaining narratives. This will range from narrative meaning to Barthes to structuralism.

Narrative Meaning - in the simplest terms narrative is the way a story is told and how this is made for the audience to see and take in. The events in a film (or trailer) will be ordered in a way that makes sense for the audience (or in some cases doesn't to create an enigma and increase the desire from the audience to continue watching). 

5 Stage Narrative Structure

EXPOSITION - sets scene & characters introduced
DEVELOPMENT - more characters introduced, situation develops
COMPLICATION - something happens, creates a complication
CLIMAX - high suspense, in-sighting moment
RESOLUTION - satisfactory ending, things are resolved.




Examples:

An enigma: Memento (2000) - Why did Leonard (Guy Pearce) kill a man and what is happening in the overall plot. The sequence of events in Memento is incredibly unusual as the narrative is given to the viewer the wrong way round (and so they find out what Leonard did earlier on in his life). 

Action Codes: Memento (2000) - https://www.youtube.com/watch?v=0vS0E9bBSL0 
In this trailer Leonard has tattoos all over himself that are sometimes shown as extra close ups. These tattoos tell him information about his past (before his accident) so he can remember what someone did to his wife who was raped and murdered. As well as this close ups of Leonard face show his expressions and suggest possible reactions to events. 

I will include enigma and action codes in my trailer to make it more interesting to watch and to give my target audience reasons to keep watching. As well as this my characters may fall into Vladimir Propp's theory based on Russian fairytales. It is also very likely that my trailer will follow Todorov's narrative structure in some way as this has proven to be very effective. 



Below is an image that I downloaded and the edited by putting text on it to explain Roland Barthe's narrative codes further.



Teaser Trailers vs Trailers: A Summary

So, what are the differences?

                          Teaser Trailer                                              Trailer
Timing               15 - 45 seconds                                           2 - 3 minutes

Content              Not clear, possibly confusing narrative      A more clear, straightforward narrative
                              (for both not too much content is given so that people still want to see the film)

Distribution       Around a year before film release              A couple of months before film release
                                   (both generally distributed on the internet & television adverts)


Thursday, 18 September 2014

Teaser Trailers vs Trailers: An Example

To get a better understanding of the difference between these two types of trailers I decided to look at a teaser trailer and a full length trailer of the same film. I realise that film productions may produce their trailers in different ways but I feel as though looking at one example will give me one perspective on how this film production has done it therefore improving my understanding.

127 Hours (2010)

Genre: adventure, biography, drama
Directed by Danny Boyle


Teaser Trailer:



Length? 1 minute 46 seconds
Released? Around 5 months before film release.

Conventions & Additional Information

Interestingly, this teaser trailer goes against some of the conventions I mentioned in my previous post as it is longer than 45 seconds and was released only a few months before the film. My initial thought as to why this was was because I assumed the film had a low budget and therefore didn't want to leave the target audience waiting too long after releasing a teaser however I have just discovered that the estimated budget was in fact $18,000,000. Although, they still may have decided to release the teaser only a few months before the film (so that potential target audience wouldn't forget to see it) and there is also quite a lot of footage is placed in the teaser.

Narrative & Sound

After various idents, the trailer starts off with an establishing, long shot with ambient sounds. Energetic music plays as soon as a man riding a bicycle suddenly appears in shot. At this point the target audience has no idea who this man is (therefore, there is an enigma present), enforcing the fact that it is a teaser trailer and not supposed to give that much away. The teaser continues and overall only uses 2 parts of Todorov's theory; equilibrium and disequilibrium. This again, reinforces how it is a teaser trailer and wouldn't reveal the new equilibrium at the end as this would spoil the film and reduce the chance of potential target audience members watching it.

(Full Length Official) Trailer:


Length? 2 minutes 40 seconds
Released? Around 3 months before film release.

Narrative (continued)

This trailer follows many more conventions in terms of length and content. Immediately the storyline is set up for us, with an introduction to the main character (by the main character) and where he is and how he got there (shown through various shots of him leaving the house and driving). The incidental music playing throughout is energetic but subtly builds up tension. Quite a few similar clips are taken from the teaser trailer but many are also added. One of the most important being the shot of him talking to the camera (filming himself, which is made obvious by the fact that the camera quality is no where near as good as the rest of it). This is vital as it gives the target audience an insight into what the film is really about, which is him being stuck for 127 hours. The use of the camera shot (from his own camera) is very effective and lets the audience feel a connection with the character.

Editing

The montage editing used is also effective, changing between high quality happy shots of him exploring and with 2 other characters, to lower quality medium close ups of him talking to the camera looking worn out, dehydrated and tired.

How does the trailer finish?

The ending is a lot different than the teaser trailer as it has a new equilibrium feeling with connotations of hope. Although, the character is not literally shown becoming free, the editing and incidental music used gives the impression that there will be a happy ending, but we cannot know for sure unless we go and see the film.




Wednesday, 17 September 2014

Teaser Trailers vs Trailers: Narrative Structures & Theories

Teaser Trailers vs Trailers: What Are They?

There are many differences between teaser trailers and trailers. These include their length, purpose, content and when they are distributed.

You can refer back to my first blog post to see the definitions and how they differ:

http://katyfilmmakera2.blogspot.co.uk/2014/07/teaser-trailer-what-is-it-initial.html

Teaser trailers are usually around 15 - 45 seconds. They are generally released 1 - 2 years before the film itself is released. They can have a non-linear narrative which deliberately raises more questions, therefore achieving its objective to 'tease' the audience and leave them wanting more. However, in some cases they go for montage editing and show some footage which still leaves the audience wanting more but doesn't necessarily confuse them that much.

Conventionally, trailers range from 2 minutes 30 seconds to 3 minutes, but some are known to be slightly shorter or longer. Although the narrative given is not always linear, the set up itself in a trailer is a lot more clear than a teaser trailer as characters and/or situations tend to be introduced followed by some action shown in the film (and some idea of Todorov's theory). Although, a trailer is still effective as it leaves out important parts of the plot which still makes the target audience want to go and see the film.

Tuesday, 16 September 2014

Methods Of Promotion

Film promotion is incredibly important and can make the difference (especially for an Independent film) between gaining any profit or not. Producers and distributors promote their films with the intention of reaching out to as much of the target audience as possible (creating hype) so that they get as much profit as possible. This is proved to be very easy for conglomerates like Disney however independent companies such as Vertigo Films often struggle and have to target a niche, possibly local audience instead of a tent pole one.

Promotion is one of the main parts of film distribution so before I research into promotion I will write a little about distribution so that I can understand everything more.

Below is a mind map I produced showing the possibilities of distribution across various mediums.


Stages of distribution:
 - Promotion (marketing)
 - Film Sales
 - Copies of the film made

Distribution range from major distributors (e.g. Universal, Twentieth Century Fox) who are mostly in the USA and UK to independent distribution (e.g. Pathe) which is found a lot in the UK but also in other countries. (Since my trailer will be made in the UK I when I refer to independent distribution I will be talking about ones in the UK). 

What do distributors do?

  • Acquire a film
  • Negotiate timing of release and number of prints
  • Arrange the prints to get to exhibitors (cinemas)
  • Marketing (getting the publicity material) - this involves promotional partnerships (e.g. McDonald's Happy Meals)
  • Foreign films - subtitled and dubbed
  • A certificate will be arranged and paid for
  • Finally, the DVD distribution rights will have to be acquired
After all of that generally distributors will get 40% of the box office revenues (although 30% of this is spent on what they have to in their job! (marketing, prints, etc.) 

Now, time for promotion..

An example of a billboard

There are many ways of promoting. These range from heritage methods to digital marketing.

Examples... 

Heritage Methods: Billboards, posters, trailers and premiers.
(These methods were popular (and some still are) before digital marketing was available.))

Digital Marketing: Social media (Facebook, YouTube, Twitter, etc.) For example on the homepage of YouTube sometimes they advertise upcoming films and they also sometimes show film trailers before playing the clip chosen by the viewer. Official film websites.

These methods of promotion have an advantage to institutions as most of the time they are examples of pull marketing.

Digital marketing is only possible because of Web 2.0 which is when the consumer can upload content as well as just look at it.

In addition to this another more recent method of promotion is viral marketing. This relies on 'word of mouth' across the internet and in person to raise hype about the film. For example, in 2012 when the Dark Knight Rises was released there was a large marketing campaign. The film had it's own official website (TheDarkKnightRises.com), and it got the target audience involved by releasing a fake press release that ordered them to find and take pictures of spray painted bats around the world, uploading them via Twitter or E-mail. This created a lot of hype as when bats were discovered some stills of the (3rd, yes there were 3!) trailer were released.

Promotion:

Profits vs Costs

For independent films promotion can be incredibly expensive and so cheaper promotion is often used such as viral marketing.

A good example of this is Shane Meadows who used mostly free viral marketing to promote the film This Is England in 2006. This resulted in incredibly high box office figures making the film very successful even though it had a 'no-star system' in place (none of the actors used were recognisable). Therefore, the profits easily out-weighed the costs, which were very low anyway.


Filmmakers will often use the web to promote themselves, for example Bertie Gilbert, a 17 year old filmmaker uses websites such as Twitter, Facebook, and releases his films on YouTube for anyone to see. His following, including his 179,000 twitter followers, can easily keep up to date with what he's working on and are eager to see his new films, therefore making his promotion incredibly cheap (and most of the time completely free!)

Another example of viral marketing:

Cloverfield (2008) - American science fiction film

  • They made a 'climatic event' which increased the anticipation for the films release including 8 false news clips with several subtle details letting fans of Cloverfield know that it is part of Cloverfield.
  • These got 4.5 million views in 4 weeks and were featured on hundreds of blogs therefore created lots of new fans.
  • The movie broke records and due to popularity various clips were included as bonus content on the DVD.



An Introduction (relevant advanced production begins here!)

Here's where it all starts. I understand I've been researching short films recently but now after further consideration I realise that instead I am going to do a trailer this year as the main part of my Advanced Production.

This trailer will be at least 30 seconds and up to 2 minutes. Alongside this I will produce 2 ancillary products. These are likely to be a film magazine front cover (featuring the film) and a poster for the film.

I am now very motivated to achieve all the work towards Advanced Production and hope you enjoy reading and seeing my progress throughout the year.


Saturday, 6 September 2014

Short Films: A Selection I Like


A simple idea, but I think it's very effective. Although it's a very short film I believe it is effective in holding the audience's attention as you are eager to see what the man will do next.


I've watched Bertie Gilbert on YouTube for a couple of years now and his more recent short films have really captured my attention. His cinematography and attention to detail in shots is superb along with his unusual film ideas. The fact that the main character in both is a teenage boy (Bertie) makes me more interested in the film as he is my age. I didn't consider this to make any difference but having researched into other short films and seeing adult actors/actresses I found myself less engaged. 


I particularly like 'tick where it hurts'. The themes throughout are dealing with loss, mourning and self reflection. I really like the idea of the kind of soliloquy seen at certain points when Bertie talks about how he feels to the camera. I think with the right script (like in this film) that can be very effective.

The film is about the main character (Guy) dealing with the loss (suicide) of his brother and musical partner.

Friday, 5 September 2014

Short Films; Definitions, Codes, Conventions & Other Relevant Things

What is a 'Short Film'?

Not all definitions agree with each other..

        Any film that has a duration longer than one minute and shorter than 15 minutes.  
                                                        - Definition Short Film / EICAR

If I were to put it into my own words I would say that a short film is one which does not exceed feature film length and will generally be no longer than 15-20 minutes (due to exceptions which are longer, but are not as long as a feature film). They will often have a simple storyline that can take place within the shorter amount of time the film length allows however more complicated short films have been made in the past. I would say the most common genre is 'Arthouse'; a great way of communicating an idea but not having to fully explain it. It's also a good excuse to take interesting shots and arrange the film in a way that may without any context struggle to make sense.*

*(A great deal of that paragraph was more my opinion of what the short film definition could be, and not what it exactly is.)

Codes & Conventions
Situation: generally normal. As the film develops the situation is likely to become unusual and less like our everyday lives.
Characters: 2 or 3 (not enough time to deeply go into too many characters)
A Plot Twist: there's enough time to fit one of these in and they make for more enjoyable viewing (the audience doesn't always expect it).
Budget: small. Most of the time independent film makers produce short films and therefore do not have a large budget. 
Length: short. The exact length itself is disputed generally but for the kind of shorts I will be researching into I would say around 10-15 minutes (or even shorter). 

Todorov 

This is a theory (Todorov's theory) that is generally applied to short films.


Equilibrium - normal.
Disequilibrium - not so normal (all go wrong).
New Equilibrium - back to normal (problem solved). 



Although the problem is solved there may be a noticeable change in from the normal at the start to the normal at the end. 

Art House

The narrative of this film genre is often in the social realism style and it encompasses artistic and experimental styles. 

The filmmaker follows their personal artistic vision and the film as a result is typically independently-produced.